Exam 11: Preparing Broadcast Copy
Exam 1: Communication Theory and News Values35 Questions
Exam 2: Getting Started: in the Beginning Is the Lead25 Questions
Exam 3: Legal Considerations in Media Writing43 Questions
Exam 4: Ethical Considerations in Writing and Reporting28 Questions
Exam 5: Basics of Writing and Editing38 Questions
Exam 6: Basic News Stories47 Questions
Exam 7: Interviewing: Gathering Information From People31 Questions
Exam 8: Research in Communication38 Questions
Exam 9: Using Quotations and Sources in News Stories34 Questions
Exam 10: Features: Alternative Story Types28 Questions
Exam 11: Preparing Broadcast Copy40 Questions
Exam 12: Reporting for Radio and Television52 Questions
Exam 13: Writing and Reporting in the New New Media25 Questions
Exam 14: Writing News Releases29 Questions
Exam 15: Writing for Organizational Media29 Questions
Exam 16: Advocacy and Speechwriting23 Questions
Exam 17: Advertising Copywriting23 Questions
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Broadcast writing uses long descriptive clauses, participial phrases or modifying phrases and clauses at the beginning of sentences, for these make for good "soft" leads.
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(True/False)
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Correct Answer:
False
In broadcast writing, keep sentences brief, energetic and simple, with only one thought or idea to each sentence.
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(True/False)
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Correct Answer:
True
Broadcast copy is governed by the clock, which means that time is often the key determining factor in how a story will be written.
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(True/False)
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Correct Answer:
True
Not every broadcast sentence should be the same length. Variation in sentence length gives copy rhythm and a pleasing flow.
(True/False)
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There are three basic types of broadcast leads. Name them and briefly describe each.
(Essay)
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For radio, you are painting a word picture; for television, you are creating a fusion of words and visuals.
(True/False)
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Simplicity in broadcast writing means avoiding the use of big, formal words. If others use them, simplify them. If they are necessary, then carry them inside quotation marks so that the announcer can change inflection for emphasis.
(True/False)
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Some news producers suggest building a newscast of "peaks and valleys" of information, since audiences cannot be hammered with one bad or fact-filled story after another throughout most of the newscast.
(True/False)
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Clarity is important in broadcast copywriting. Clarity for those who read the copy over the air, and for those who listen or watch the reports.
(True/False)
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As in print writing, use strong subject-verb-object sentences with action verbs. Use the active voice, starting the sentence with the person or thing that did the action.
(True/False)
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What are some of the rules for what and how to cut from a story in order to bring it to
desired length?
(Essay)
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Freshening news copy, even if there are no new developments, subtly tells listeners and viewers that your news operation is staying on top of stories and implies that when there are new developments, listeners will hear it first from your station.
(True/False)
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In writing broadcast copy, eliminate the comma except for places where the announcer should pause.
(True/False)
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One of the things that makes a news producer's job easier is that copy doesn't have to be rewritten if there are no new developments in a story. You're dealing with a different audience between the noon newscast and the drive-home audience, as well as different demographics between the early and late TV newscasts.
(True/False)
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In broadcast copywriting, write as you speak: write conversationally and explain complex events in understandable language.
(True/False)
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Broadcast news copy, by its nature, is more formal than newspaper copy, but not so formal as to lose less educated members of the audience.
(True/False)
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