Exam 9: Euromedia: Integration and Cultural Diversity in a Changing Media Landscape
Exam 1: Global Communication: Background46 Questions
Exam 2: Development Research Traditions and Global Communication46 Questions
Exam 3: The Message: The Role of International Organizations44 Questions
Exam 4: Public Diplomacy: New Dimensions and Implications44 Questions
Exam 5: The Medium: Global Technologies and Organizations44 Questions
Exam 6: The Internet: The Evolving Frontier43 Questions
Exam 7: American Multimedia Conglomerates40 Questions
Exam 8: Non-US Stakeholders of Multimedia Conglomerates44 Questions
Exam 9: Euromedia: Integration and Cultural Diversity in a Changing Media Landscape44 Questions
Exam 10: Global Issues, Music, and MTV42 Questions
Exam 11: CNN: International Role, Impact, and Global Competitors40 Questions
Exam 12: The Role of Global News Agencies40 Questions
Exam 13: Arab Media and the Al Jazeera Effect44 Questions
Exam 14: Media Globalization in Asia44 Questions
Exam 15: The Role of Global Advertising40 Questions
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Many scholars contend that with globalization, consumers have increasingly fewer choices and limited access to media products of a culturally diverse nature. Do you agree? Why or why not? Would this vary from region to region?
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(Essay)
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Correct Answer:
Answers could vary greatly. Points to be incorporated or addressed should include some of the following: Cultural Imperialism, ECT, WST, Globalization, The Global Village, Americanization, the Internet, consumer demand/choice, and market forces. The difference in access and point of view between United States, other core, semi-peripheral and peripheral nations should be addressed for the last part.
The 2009 elections in the European Parliament tended to focus on European matters rather than domestic matters.
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(True/False)
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Correct Answer:
False
GATS lacks internationally agreed upon standards on cultural and audiovisual policies.
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(True/False)
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Correct Answer:
True
European audiences remain faithful to their national broadcasters.
(True/False)
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Name three of the four ways the EU addresses the audiovisual sector?
(Short Answer)
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Barely a generation ago, Europeans only had access to one or two state-funded radio and television channels.
(True/False)
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Gripsrud and Chalaby contend that the traditional connection between national territory and media culture is doing what?
(Multiple Choice)
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Some scholars argue that the EBU fulfills some of the criterion for a European Public Sphere.
(True/False)
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European broadcasters tend to report the same general global news in the same manner.
(True/False)
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What EU audiovisual program(s) offer(s) financial and other support to the media industry?
(Multiple Choice)
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The release of what movie prompted a strong backlash from the European community towards Disney and a satirical cartoon in The European?
(Multiple Choice)
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The UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions was adopted in October of which year?
(Multiple Choice)
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The _____ Agenda aims to make the EU "the world's most dynamic knowledge-based economy."
(Multiple Choice)
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Television without Frontiers began after what seminal event? What was its purpose?
(Short Answer)
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In recent years, the traditions of public service and strong national government involvement in European affairs and media have been more or less abandoned.
(True/False)
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The majority of television channels in Europe are accessed by which of the following method(s)?
(Multiple Choice)
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The idea of a United States of Europe or a cohesive, uniform EU in terms of media is a widely accepted given among scholars.
(True/False)
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