Exam 21: Neoclassicism: the Late Eighteenth and Early Nineteenth Centuries

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Thomas Jefferson appreciated the aesthetic quality of colonial Virginian homes, and wanted to blend that native quality with Roman grandeur.

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Question 21

The title subject of the Grande Odalisqueis a

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Question 22

Who painted the Death of Marat (1793)?

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Question 23

Contrary to the depiction in Napoleon at Saint Bernard Pass, the French general crossed the Alps on a mule.

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Question 24

Which is NOT a feature of Death of Marat?

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Question 25

Who painted Napoleon at Saint Bernard Pass?

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Question 26

The Death of Marat illustrates a scene from the history of

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Question 27

Who sculpted the Paolina Borghese as Venus Victrix (1808)?

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Question 28

Describe some of the Romantic aspects of the Neoclassical style.

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Question 29

Describe Jefferson's contribution to American architecture, as well as the general characteristics of Federal architecture.

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Question 30

The model for the Virginia State Capitol at Richmond was

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Question 31

Who painted Grande Odalisque?

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Question 32

Jacques-Louis David worked successively for Louis XVI, the most radical of the French revolutionaries, and Napoleon Bonaparte.

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Question 33

Even during its Baroque period, French art had retained a pronounced Classical flavor.

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Question 34

Napoleon at Saint Bernard Pass is painted in the tradition of

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Question 35

Greenough's colossal marble statue of George Washington was inspired by Phidias's Early Classical sculpture of

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Question 36

Portrait of a Negress, the Paolina Borghese as Venus Victrix, and Horatio Greenough's George Washington all show their subjects naked from the waist up.

(True/False)

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Question 37

In 1789, Jean-Antoine Houdon carved a marble portrait bust of which American diplomat, who was then serving as minister to France?

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Question 38

The Oath of the Horatii was commissioned by disgruntled French republicans who wanted to arouse resistance against the king.

(True/False)

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Question 39

The model for the Paolina Borghese as Venus Victrix (1808) was Napoleon's mistress.

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Question 40

Showing 21 - 40 of 47

Exam 21: Neoclassicism: the Late Eighteenth and Early Nineteenth Centuries

Thomas Jefferson appreciated the aesthetic quality of colonial Virginian homes, and wanted to blend that native quality with Roman grandeur.

The title subject of the Grande Odalisqueis a

Who painted the Death of Marat (1793)?

Contrary to the depiction in Napoleon at Saint Bernard Pass, the French general crossed the Alps on a mule.

Which is NOT a feature of Death of Marat?

Who painted Napoleon at Saint Bernard Pass?

The Death of Marat illustrates a scene from the history of

Who sculpted the Paolina Borghese as Venus Victrix (1808)?

Describe some of the Romantic aspects of the Neoclassical style.

Describe Jefferson's contribution to American architecture, as well as the general characteristics of Federal architecture.

The model for the Virginia State Capitol at Richmond was

Who painted Grande Odalisque?

Jacques-Louis David worked successively for Louis XVI, the most radical of the French revolutionaries, and Napoleon Bonaparte.

Even during its Baroque period, French art had retained a pronounced Classical flavor.

Napoleon at Saint Bernard Pass is painted in the tradition of

Greenough's colossal marble statue of George Washington was inspired by Phidias's Early Classical sculpture of

Portrait of a Negress, the Paolina Borghese as Venus Victrix, and Horatio Greenough's George Washington all show their subjects naked from the waist up.

In 1789, Jean-Antoine Houdon carved a marble portrait bust of which American diplomat, who was then serving as minister to France?

The Oath of the Horatii was commissioned by disgruntled French republicans who wanted to arouse resistance against the king.

The model for the Paolina Borghese as Venus Victrix (1808) was Napoleon's mistress.

Why Do We Study the History of Art

The Language of Art

Prehistoric Western Europe

The Ancient Near East

Ancient Egypt

The Aegean

The Art of Ancient Greece

The Art of the Etruscans

Ancient Rome

Early Christian and Byzantine Art

The Early Middle Ages

Romanesque Art

Gothic Art

Precursors of the Renaissance

The Early Renaissance

The High Renaissance in Italy

Mannerism and the Later Sixteenth Century in Italy

Sixteenth-Century Painting and Printmaking in Northern Europe

The Baroque Style in Western Europe

Rococo, the Eighteenth Century, and Revival Styles

Romanticism: the Late Eighteenth and Early Nineteenth Centuries

Nineteenth-Century Realism

Nineteenth-Century Impressionism

Post-Impressionism and the Late Nineteenth Century

The Early Twentieth Century: Picasso, Fauvism, Expressionism, and Matisse

Cubism, Futurism, and Related Twentieth-Century Styles

Dada, Surrealism, Social Realism, Regionalism, and Abstraction

Mid-Century American Abstraction

Pop Art, Op Art, Minimalism, and Conceptualism

Continuity, Innovation, and Globalization

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