Exam 14: Myth and the Tragic Vision in the Theater of Dionysus: Euripides Bacchae
Exam 1: Introduction to Greek Myth30 Questions
Exam 2: Ways of Interpreting Myth Part Two Epic Myths32 Questions
Exam 3: In the Beginning: Hesiods Creation Story31 Questions
Exam 4: Alienation of the Human and Divine: Prometheus, Fire, and Pandora51 Questions
Exam 5: The Divine Woman in Greek Mythology36 Questions
Exam 6: The Olympian Family of Zeus: Sharing Rule of the Universe38 Questions
Exam 7: In Touch With the Gods: Apollos Oracle at Delphi31 Questions
Exam 8: Dionysus: Rooted in Earth and Ecstasy30 Questions
Exam 9: Land of No Return: The Gloomy Kingdom of Hades34 Questions
Exam 10: Heroes of Myth: Man Divided Against Himself31 Questions
Exam 11: Heroines of Myth: Women in Many Roles10 Questions
Exam 12: Heroes at War: The Troy Saga37 Questions
Exam 13: A Different Kind of Hero: The Odysseus26 Questions
Exam 14: Myth and the Tragic Vision in the Theater of Dionysus: Euripides Bacchae29 Questions
Exam 15: The House of Atreus: Aeschyluss Oresteia30 Questions
Exam 16: The Tragic House of Laius: Sophocles Oedipus Cycle27 Questions
Exam 17: A Different Perspective on Tragedy: Euripides Medea Part Four the World of Roman Myth23 Questions
Exam 18: The Roman Vision: Greek Myths and Roman Realities31 Questions
Exam 19: Virgils Roman Epic: The Aeneid36 Questions
Exam 20: The Persistence of Mythglossary Selected Bibliography Credits Index24 Questions
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Even though the tragic universe is ruled by divine beings, the universe is anthropocentric.
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True
The first rule of the tragedy was that the protagonist had to be Dionysus himself.
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False
The tragic hero has a capacity for extremes of feeling and behavior, which contradicts the Apollonian awareness of one's human limitations.
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True
Tragedy taught the audience about the consequences of inflexibility.
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According to ancient tradition, the first winner of the tragic competition was Thespis.
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Tiresias was able to reconcile the opposites of control and freedom because he
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The Dionysia staged three different kinds of plays-tragedy, comedy, and satyr plays.
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In drama as well as in the epic, a narrative voice guides the perception of the audience.
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The tragic quest is typically an external journey of suffering, contrary to the quest of the myth, which is usually internal.
(True/False)
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Aristotle viewed the tragedy as a cleansing emotional experience for the audience.
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The City Dionysia festivals were held for five days in October, celebrating the making of new wine.
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In the tragic drama, the protagonists are more realistic than in the myths.
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The lessons taught by tragic drama were usually clear-cut: Creon, for instance, was wrong to defend civic order as he did; Antigone was right to refuse obedience.
(True/False)
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The main content of the satyr plays was humorous antics and obscene jokes.
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In the tragic universe, there is still divine justice waiting at the conclusion of the story.
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