Exam 2: What Is Art
Exam 1: Living With Art31 Questions
Exam 2: What Is Art36 Questions
Exam 3: Themes of Art36 Questions
Exam 4: The Visual Elements31 Questions
Exam 5: Principles of Design30 Questions
Exam 6: Drawing25 Questions
Exam 7: Painting27 Questions
Exam 8: Prints27 Questions
Exam 9: Camera and Computer Arts34 Questions
Exam 10: Graphic Design27 Questions
Exam 11: Sculpture and Installation33 Questions
Exam 12: Arts of Ritual and Daily Life28 Questions
Exam 13: Architecture30 Questions
Exam 14: Ancient Mediterranean Worlds34 Questions
Exam 15: Christianity and the Formation of Europe31 Questions
Exam 16: The Renaissance29 Questions
Exam 17: The 17th and 18th Centuries32 Questions
Exam 18: Arts of Islam and of Africa32 Questions
Exam 19: Arts of East Asia: India, China, and Japan30 Questions
Exam 20: Arts of the Pacific and the Americas31 Questions
Exam 21: The Modern World: 1800-194533 Questions
Exam 22: From Modern to Postmodern36 Questions
Exam 23: Opening up to the World20 Questions
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________ is the name for a standard subject in Christian art, that of Mary, the mother of Jesus, holding her son after he was taken down from the cross.
(Multiple Choice)
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Rebecca Purdum has compared non-verbal communication with nonrepresentational art. Discuss this comparison in relation to the roles of the artist and the observer.
(Essay)
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During the ________ the term "art" was used roughly in the same sense as "craft."
(Multiple Choice)
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The Amida Nyorai as an example of a sculpture that employs the iconography of Japanese Buddhism. Give an example of an artwork that employs Christian iconography and explain how the components of the artwork are examples of the term iconography.
(Essay)
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Consider Jan van Eyck's painting, Arnolfini Double Portrait. Discuss three symbols within it that reveal the possible iconography of the work. Then explain an alternate interpretation of the work relating to the meaning of the same objects.
(Essay)
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Identify and explain three reasons that an artist would elect to present content through abstract or nonrepresentational form, referring to a different work or artist as an example for each of the reasons you have identified.
(Essay)
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Philosophers determined that the pleasure of art was an intellectual pleasure and was perceived through:
(Multiple Choice)
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During the Renaissance in Western Europe, ________ came to be regarded as the more elevated of the arts.
(Multiple Choice)
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Andy Warhol's images created from celebrities are portrayed through mass produced:
(Multiple Choice)
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Discuss the relationship between non-Western works of art that do not appear to represent conventional Western ideals of beauty and the form and content of those works. Discuss several examples of differences in culture or tradition that prove standards of beauty to be culturally specific rather than universal.
(Essay)
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Fisherman's Cottage on the Cliffs at Varengeville was painted by
(Multiple Choice)
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Discuss how the artist Louise Bourgeois rejected traditional art education and explored alternative paths to create a career that spanned decades. Include her personal influences and public attention, and how she came to terms with life through her art.
(Essay)
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