Exam 19: The Invisible Made Visible: Abstract and Nonrepresentational Art
Exam 1: The Power of Art30 Questions
Exam 2: The Primary Elements30 Questions
Exam 3: The Principles of Design30 Questions
Exam 4: Drawing30 Questions
Exam 5: Painting30 Questions
Exam 6: Printmaking30 Questions
Exam 7: Photography30 Questions
Exam 8: New Media: Time and Digital Arts30 Questions
Exam 9: Sculpture30 Questions
Exam 10: Architecture30 Questions
Exam 11: Decorative Arts, Crafts, and Design30 Questions
Exam 12: Ancient Empires, Ancient Gods30 Questions
Exam 13: The Age of Faith30 Questions
Exam 14: The Renaissance29 Questions
Exam 15: Drama and Light: Mannerism, the Baroque, and Rococo30 Questions
Exam 16: The Battle of the Isms: Neoclassicism, Romanticism, and Realism30 Questions
Exam 17: Out of the Studio and Into the Light: Impressionism and Postimpressionism30 Questions
Exam 18: The Real World on Trial: the Early Twentieth Century30 Questions
Exam 19: The Invisible Made Visible: Abstract and Nonrepresentational Art30 Questions
Exam 20: A Storm of Images: Art in the Contemporary World30 Questions
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In the mid-1900s, the art capital of the world shifted to New York City.Explain why this shift occurred and the effect of this shift.
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The glass box format of the International Style leant itself well to skyscrapers because ____.
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What was the dominant theme of Georgia O'Keeffe's work during her long career?
(Multiple Choice)
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Jackson Pollock created _________, depicting the energy of the artist's motions.
(Multiple Choice)
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Discuss the role of the Bauhaus in modern art.Who founded it? Where was it located? What was taught? How did it affect modern art and architecture?
(Essay)
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Pictures in which lines, shapes, and colors no longer refer to anything in the real world are called ____.
(Multiple Choice)
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