Exam 4: Creating a Custom Publication From Scratch

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A(n) ____ results in a gradual progression of colors and shades.

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B

The ____________________ command resets a graphic to its original size and dimension with no cropping.

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Clear Crop

If you do not enter a name for a modified color scheme, Publisher assigns a name that begins with the word, ____, followed by a number.

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C

A ____ is a mixture of a base color and black.

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Deleting the ____________________ does not change the colors in previously created publications.

(Short Answer)
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A template will always fit every situation.

(True/False)
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You may press the ____ key to begin checking the publication for spelling errors.

(Multiple Choice)
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Deleting graphics from the Building Block Library does not delete them from ____________________.

(Short Answer)
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____________________ means to line up an object relative to the page margin or relative to another object.

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Publications with edited graphics look rigid and computer-generated.

(True/False)
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A(n) ____________________ is a mixture of a base color and black.

(Short Answer)
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Publisher provides ____ with no preset objects or designs, allowing you to start from scratch.

(Multiple Choice)
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Modified Multiple Choice Custom color schemes allow you to choose ____.

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Tints and shades are applied in ____________________-percent increments.

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Text wrapping refers to how objects wrap themselves around other objects on a page. ____________________

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____ ornamentation refers to serif, structure, form, or style.

(Multiple Choice)
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   Tap or click the Recolor button to display the ____________________ gallery, as shown in the accompanying figure. Tap or click the Recolor button to display the ____________________ gallery, as shown in the accompanying figure.

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Once created, the name of a ____ appears in the list of color schemes.

(Multiple Choice)
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When you first start Publisher, the template gallery displays a list of featured and built-in templates, as well as blank publications.

(True/False)
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In Publisher, layering, or ordering, means to make purposeful decisions on how objects appear in front of one another.

(True/False)
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