Exam 42: Stagecoach and Firefly: the Journey Into the Unknown in Westerns and Science Fiction, Fred Erisman
Exam 1: What Is Myth19 Questions
Exam 2: Ways of Understanding Myth14 Questions
Exam 3: Greece: Hesiod35 Questions
Exam 4: Rome: Ovid Creation20 Questions
Exam 5: The Bible: Genesis Creation19 Questions
Exam 6: Mesopotamia: Enuma Elish19 Questions
Exam 7: Icelandicnorse: Prose Edda Creation23 Questions
Exam 9: Africa: Uganda and Nigeria26 Questions
Exam 10: China: Nü Kwa, Kuan Yin, and Monkey40 Questions
Exam 11: Mesoamerica: Popol Vuh38 Questions
Exam 12: Rome: Ovid Flood24 Questions
Exam 13: The Bible: Genesis Flood21 Questions
Exam 14: Icelandicnorse: Prose Edda Ragnarok26 Questions
Exam 15: Theory: Joseph Campbell, the Hero With a Thousand Faces, Dave Whomsley22 Questions
Exam 16: Mesopotamia: the Epic of Gilgamesh23 Questions
Exam 17: Applying Theory: a Lévi-Straussian Analysis of the Epic of Gilgamesh, G S Kirk20 Questions
Exam 18: India: the Ramayana30 Questions
Exam 19: Icelandicnorse: Prose Edda Heroes20 Questions
Exam 20: Arthurian Legend: the Holy Grail, Donna Lynne Rondolone25 Questions
Exam 21: Africa: the Mwindo Epic21 Questions
Exam 22: Greece: Oedipus the King, Sophocles21 Questions
Exam 23: Theory: the Structural Study of Myth, Claude Lévi-Strauss20 Questions
Exam 24: North America: Raven20 Questions
Exam 25: African and African-American Trickster Stories20 Questions
Exam 26: Greece: Prometheus20 Questions
Exam 27: Applying Theory: Different Versions of Myths20 Questions
Exam 28: Theory: the Forest of Symbols, Victor Turner20 Questions
Exam 29: Greece: Demeter and Persephone20 Questions
Exam 30: Egypt: Isis and Osiris20 Questions
Exam 31: Applying Theory: Meals in the Bible, Mary Douglas17 Questions
Exam 32: Icelandicnorse: the Rituals of Iceland, Hr Ellis Davidson21 Questions
Exam 33: Greece: Heracles and Dionysus28 Questions
Exam 34: Theory: Man and His Symbols, Cg Jung29 Questions
Exam 35: Applying Theory: How to Perform a Jungian Analysis22 Questions
Exam 36: Theory: the Morphology of the Folktale, Vladimir Propp20 Questions
Exam 37: Applying Theory: a Proppian Analysis of the Wizard of Oz20 Questions
Exam 38: Germany: Grimms Household Tales20 Questions
Exam 39: Rome: Cupid and Psyche, Apuleius20 Questions
Exam 40: Applying Theory: Highlighting Different Aspects of the Same Tale Using Multiple Analyses20 Questions
Exam 41: Daniel Boone: Building the Myth Around the Man, Richard Slotkin20 Questions
Exam 42: Stagecoach and Firefly: the Journey Into the Unknown in Westerns and Science Fiction, Fred Erisman20 Questions
Exam 43: Harry Potter: a Rankian Analysis of the Hero of Hogwarts, M Katherine Grimes20 Questions
Exam 44: The Vampire As Hero: Tales of the Undead in a Contemporary Context, Eva M Thury26 Questions
Exam 45: Poetry and Myth23 Questions
Exam 46: Yellow Woman: Native-American Oral Myth in a Contemporary Context, Leslie Marmon Silko21 Questions
Exam 47: Narrative and Myth21 Questions
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In Serenity, ____________________ is the process used to make lifeless planets and moons habitable for human beings.
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(Short Answer)
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Terraforming
Apache: Stagecoach :: ________________ : Serenity
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(Short Answer)
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Reavers
Mal Reynolds can be considered a trickster figure because he ______________________________________.
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(Multiple Choice)
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D
The X-Files reinforces our fundamental vision of ourselves as _____________.
(Multiple Choice)
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As a reflection of its time and audience, The X-Files storylines emphasize ________.
(Multiple Choice)
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Many fans of Firefly are attracted to Mal Reynolds' _____________________ political philosophy.
(Short Answer)
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________________________ directed the 1939 classic Western Stagecoach.
(Short Answer)
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"Liminal space" is Victor Turner's term for___________________.
(Multiple Choice)
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In both Stagecoach and Firefly, the characters coalesce into a type of family called a ___________________ after John Ford's standard grouping of characters in his films.
(Short Answer)
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The ______________________, defined by Carl Jung, can be applied in this chapter to the characters whose journey ultimately brings them to self-realization.
(Short Answer)
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___________________ is the literary term for the hero's journey to hell that ultimately results in valuable self-knowledge.
(Short Answer)
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In Serenity, the Reavers are NOT____________________________________.
(Multiple Choice)
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In both Stagecoach and Firefly, ____________________ make the choices about the groups they will belong to-a phenomenon explained by Victor Turner.
(Short Answer)
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As a reflection of its time and audience, Star Trek storylines emphasize ________.
(Multiple Choice)
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As a counterpart to Mal Reynolds, ____________________ is a trickster in Greek mythology because he stole fire from the gods and gave it to humans.
(Short Answer)
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For the characters in both Stagecoach and Firefly, the wilderness is a ___________________.
(Multiple Choice)
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In Firefly, Captain Mal Reynolds most often represents the values of the __________________.
(Multiple Choice)
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In this article, "Stagecoach in Space: The Legacy of Firefly," the author highlights the constant tension in _________________ between the good of the individual and the good of the group.
(Short Answer)
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In Serenity, terraforming results in a world on the outer planets that has too few resources for humans. This causes __________.
(Multiple Choice)
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__________________-one of the most frequent motifs in mythology-forms the basic structure of Stagecoach.
(Multiple Choice)
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