Exam 28: Theory: the Forest of Symbols, Victor Turner
Exam 1: What Is Myth19 Questions
Exam 2: Ways of Understanding Myth14 Questions
Exam 3: Greece: Hesiod35 Questions
Exam 4: Rome: Ovid Creation20 Questions
Exam 5: The Bible: Genesis Creation19 Questions
Exam 6: Mesopotamia: Enuma Elish19 Questions
Exam 7: Icelandicnorse: Prose Edda Creation23 Questions
Exam 9: Africa: Uganda and Nigeria26 Questions
Exam 10: China: Nü Kwa, Kuan Yin, and Monkey40 Questions
Exam 11: Mesoamerica: Popol Vuh38 Questions
Exam 12: Rome: Ovid Flood24 Questions
Exam 13: The Bible: Genesis Flood21 Questions
Exam 14: Icelandicnorse: Prose Edda Ragnarok26 Questions
Exam 15: Theory: Joseph Campbell, the Hero With a Thousand Faces, Dave Whomsley22 Questions
Exam 16: Mesopotamia: the Epic of Gilgamesh23 Questions
Exam 17: Applying Theory: a Lévi-Straussian Analysis of the Epic of Gilgamesh, G S Kirk20 Questions
Exam 18: India: the Ramayana30 Questions
Exam 19: Icelandicnorse: Prose Edda Heroes20 Questions
Exam 20: Arthurian Legend: the Holy Grail, Donna Lynne Rondolone25 Questions
Exam 21: Africa: the Mwindo Epic21 Questions
Exam 22: Greece: Oedipus the King, Sophocles21 Questions
Exam 23: Theory: the Structural Study of Myth, Claude Lévi-Strauss20 Questions
Exam 24: North America: Raven20 Questions
Exam 25: African and African-American Trickster Stories20 Questions
Exam 26: Greece: Prometheus20 Questions
Exam 27: Applying Theory: Different Versions of Myths20 Questions
Exam 28: Theory: the Forest of Symbols, Victor Turner20 Questions
Exam 29: Greece: Demeter and Persephone20 Questions
Exam 30: Egypt: Isis and Osiris20 Questions
Exam 31: Applying Theory: Meals in the Bible, Mary Douglas17 Questions
Exam 32: Icelandicnorse: the Rituals of Iceland, Hr Ellis Davidson21 Questions
Exam 33: Greece: Heracles and Dionysus28 Questions
Exam 34: Theory: Man and His Symbols, Cg Jung29 Questions
Exam 35: Applying Theory: How to Perform a Jungian Analysis22 Questions
Exam 36: Theory: the Morphology of the Folktale, Vladimir Propp20 Questions
Exam 37: Applying Theory: a Proppian Analysis of the Wizard of Oz20 Questions
Exam 38: Germany: Grimms Household Tales20 Questions
Exam 39: Rome: Cupid and Psyche, Apuleius20 Questions
Exam 40: Applying Theory: Highlighting Different Aspects of the Same Tale Using Multiple Analyses20 Questions
Exam 41: Daniel Boone: Building the Myth Around the Man, Richard Slotkin20 Questions
Exam 42: Stagecoach and Firefly: the Journey Into the Unknown in Westerns and Science Fiction, Fred Erisman20 Questions
Exam 43: Harry Potter: a Rankian Analysis of the Hero of Hogwarts, M Katherine Grimes20 Questions
Exam 44: The Vampire As Hero: Tales of the Undead in a Contemporary Context, Eva M Thury26 Questions
Exam 45: Poetry and Myth23 Questions
Exam 46: Yellow Woman: Native-American Oral Myth in a Contemporary Context, Leslie Marmon Silko21 Questions
Exam 47: Narrative and Myth21 Questions
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The _______________ dimension of a ritual involves the way an insider explains the ritual to someone outside the society.
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(Multiple Choice)
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Correct Answer:
C
According to Victor Turner, _______________ is a characteristic of rites of passage that allows initiates to see life in a new way.
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(Multiple Choice)
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Correct Answer:
A
The stages of a rite of passage DO NOT include ___________________.
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(Multiple Choice)
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Correct Answer:
B
In a rite of passage, the candidate who is in the liminal phase is "structurally invisible" because _________________________________________.
(Multiple Choice)
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Turner did most of his anthropological field work in ____________, but his conclusions can be applied generally.
(Short Answer)
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____________ ritual liminality deals with situations in which play is related to work.
(Short Answer)
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In comparing traditional and modern societies, Turner DOES NOT note that:
(Multiple Choice)
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The _______________ dimension of a ritual involves the way an anthropologist, who is outside the society, records what is done in the ritual and how the participants seem to feel.
(Multiple Choice)
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_______________________ are celebrated to indicate or constitute transitions between states in a person's life.
(Short Answer)
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Serious ______________, which involve ideas and religiously important symbols, are often reserved for liminal times and places.
(Short Answer)
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In a rite of passage, the initiates who are grouped together _______________________________.
(Multiple Choice)
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___________________ is the term Turner uses to define the social bond and sense of interrelation achieved by initiates during the liminal period.
(Short Answer)
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A _______________ ritual is one that is performed at significant points in the life cycle of humans.
(Short Answer)
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When contrasting the liminal and the liminoid, Turner emphasizes that the ____________ phenomena develop apart from the central economic and political processes in a society.
(Short Answer)
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________________, creative representations of supernatural beings crucial to a society, demonstrate how liminality can unlock imaginative potential.
(Short Answer)
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A ___________ ritual is one that celebrates events that occur at approximately the same time each year.
(Short Answer)
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For Turner, the concepts of liminality and communitas cannot be directly transferred to rituals in our modern, pluralistic society, because _______________.
(Multiple Choice)
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Rituals of reversal, such as Halloween, are not really liminal because ____________.
(Multiple Choice)
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Anthropologist Victor Turner sees ____________ as a kind of symbolic language that helps define an event in terms of the broader range of symbols in a society.
(Short Answer)
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The _______________ dimension of a ritual involves the way an anthropologist, who is outside the society, describes the connections between the symbols found in a ritual and other symbols found in the society and culture.
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